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Mission

I like unusual, non-pop music, anything that is defined as post-classical, 20th century, modern, atonal, serial, chance, minimalist, digital, experimental, field recorded, sound art and electro-acoustic. These categories are parts of the elusive and undefinable genre of 'new music'. After having worked in a terrestrial station many years ago, I found internet radio and realized that it would be ideal for me in terms of fulfilling my continuous desire to reconnect with broadcasting and  the immensely creative world of new music.  I also live in a state that was receptive to new music and helped support it a few decades ago when the genre was becoming more prominent in the late 70’s and early 80’s and still continues to do so.  Starting my station project: Radio Molecule to provide interesting music to a listening audience, proved that there are new intrigued and attentive listeners as well, grateful for the service.  The station offers a wide range of music, scheduled shows, national and international new music news.

It is very exciting for me to discover that new music is actually alive and well.  There are plenty of festivals in this country as well as in Europe that support the creative endeavors of amazing composers that are producing intelligent, interesting, playful, cultured contemporary non-commercial symphonic works as well as others that might include non traditional instruments and voice.

Reflective of culture and creativity in an environment of acceptance of diversity, ingredients that have characterized this country’s historical and philosophical position, internet radio might symbolize one of our last free-thinking refuges. Threatening its livelihood, by increasing copyright fees that will close many small stations as well as endanger less commercial genres, is almost intolerable.    ...(Please, see Live365 News bellow).

 
Live365 is an entity that allows broadcasters and musicians to conform to copyright regulations while offering a great platform to broadcast at different levels of participation.  Broadcasting time fees are included in these programs and broadcasters have to purchase the music they play.  I have again started to purchase CD’s for my collection that which are converted into MP3 files, as other formats are not supported.  Increasing my broadcasting fees would only damage my ability to continue to provide the interesting music that my listeners enjoy so much and that is impossible to find anywhere else.  The commercialization of everything only denotes a culture that has lost its path.

Listening to Radio Molecule at Pandora.com is another alternative to expand on the audience that searches for new music.  It is a free service as well.  In a conceptual way, I co-create Radio Molecule with Pandora from its vast music pool, The Music Genome Project, which provides bios and music information.  Simply by signing up to Pandora and searching for Radio Molecule or using the link above, you will be able to access an extensive variety of new music.  Have fun!

dj:  dna (Adriana Siso Behrens)
a Live365, Pandora broadcaster and new music lover.


YowilluWillw can also sign up as a VIP listener.  For only $3.65 / month, you will recieve higher quality uninterrupted ad-free online audio streaming.   Please, see Listening Options at Live365.com.pdate soon.ur Vip listening hours will help support this broadcast  stay on the air.  Your interest is
very appreciated and makes all the fun possiblewillw

LIVE365.COM NEWS



The SaveNetRadio Coalition

It has been a year since you, and 2 million of your fellow SaveNetRadio supporters fought off a crippling royalty rate increase for webcasters and delayed the death of Internet radio.  In spite of the public outcry to preserve the future of Internet radio and in spite of growing support in Congress – more than 150 co-sponsors of the Internet Radio Equality Act – the industry is still facing extinction.  Congress has still not held a hearing on the IREA, they have still not forced SoundExchange to honor their pledge to negotiate in good faith with commercial webcasters, and time is running out.

In the last 12 months, deals have been cut between SoundExchange and Internet radio’s closest competitors – satellite and cable radio – that set their royalty rates at less than half of what webcasters pay.  Being asked to pay an irrationally and unjustifiably higher royalty rate than its competition puts Net radio at a significant competitive disadvantage, but these deals Sdo seem to have established the “price of music” for non traditional radio providers, a price we are more than happy to pay.