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Updated January 15, 09.  (Shuffled - Default program playing in rotation when there are no other scheduled events 24-7)


*    Fields / Clouds , from Book Of Days , by Meredith Monk

*    John Cage: Sounds Of Venice, Version 1, from New Music For Two Guitars, by Duo Conradi-Gehlen, Stefan Conradi, Bernd Gehlen and John Cage

*    Alexander Ponomariov, Valery Beluntsov, Andre Smirnov, Mrs. Len, from Mrs. Lenin.  Electroacoustic Music From The Theremin Center, by The Theremin Center

*    Electroacoustic Music Has Been Made In Cuba Since 1964, from Habanera: A Sounwalk Through Old Havana, Cuba, by Philip Blackburn

*    Part 3, from Memory / Vision, by Evan Parker Electro-Acoustic Ensemble

*    Trovecen #2, from Thirty Years from Monday, by Alvin Curran, Carlos Zingaro, Lol Coxhill, Gianluigi Troveci, Andrea Centazzo

*    Cantelowes, from The Mandé Varations, by Toumani Diabaté

*    Maritime Rites: Rattlesnake Mountain, from Alvin Curran: Maritime Rites, by Pauline Oliveros

*    Blue Moon, from Far In, Far Out, by Shelley Hirsch

*    Pendulum Music, from Ftka No. 2 Steve Reich And Musicians Live 1977, by Steve Reich

*    26' 1.1499'' for a String Player, from John Cage: 26' 1.1499'' for a String Player and 45' for a Speaker, by Tom Peters and John Schneider 

*    Metro Chabacano / String Orchestra Version, from Danzón, composed by Javier Alvarez - Performed by Simon Bolívar Symphony Orchestra of Venezuela

*    The Maze, from Banana Humberto, by Terry Riley & the Paul Dresher Ensemble

*    Naima, from A Love Supreme: The Legacy Of John Coltrane, by Turtel Island Quartet

*    Sub-Lines, from Traces Of Mercury, by Social Interiors

*    Tchaikovsky: Valse Sentimentale, from OHM+: The Early Gurus Of Electronic Music [Disc 1], by Clara Rockmore

*    Varèse : Ionisation, from Boulez conducts Varèse, by Pierre Boulez; Chicago Symphony Orchestra

*    Pleiades - Iii. Metaux, from Xenakis, Iannis: Complete Percussion Works, by Red Fish Blue Fish & Steven Schick

*    Bubaran Robert, from Gamelan Music, by Lou Harrison

*    Poeme Electronique (Written for the Philips Pavilion at the 1958 Brussels World’s Fair, from Arranged by Sound Unbound : excerpts and allegories from the Sub Rosa audio archives, by Edgard Varèse

*    Inventing Dada / Dada Into Surrealism (Interviews), from Futurism And Dada Reviewed 1912-1959, by Richard Huelsenbeck / Tristan Tzara

*    Risveglio Di Una Citta, from Futurism And Dada Reviewed 1912-1959, by Luigi Russolo

*    Omaggio a Luigi Nono op. 16: Tschej, from György Kurtág: Complete Choral Works, by Swr Vokalensemble Stuttgart

*    Lux Aeterna (Voice), 1966, from Ligeti: A Cappella Choral Works, by Terry Edwards; London Sinfonietta Voices

*    Balinese Ceremonial Music, Toboeh Teloe - Brooklyn Philharmonic, from Colin McPhee, by Colin McPhee
 
  
                   

*    Gutan Yerg, from Miniatures 2 Edited By Morgan Fisher, by Komitas Vardapet

*    Sensemayá - Silvester Revueltas, from Latin American Fiesta, by New York Philharmonic;Leonard Bernstein



Feature:

Cage CD

Classic 1950's Avant-Garde. This is the first American recording of John Cage's monumental 45' for a Speaker with 26' 1.1499" for a String Player, produced by Tiger Barb Records.

Tiger Barb Records is a label for new and experimental music founded by double bassist Tom Peters in 2008. Their first release was John Cage: 26' 1.1499" for a String Player with 45' for a Speaker, which featured Tom on double bass with renowned guitarist and broadcaster John Schneider as speaker.

I was once told by the great composer and teacher Stephen L. Mosko that performing John Cage’s  26’ 1.1499” for a String Player would change my life. At the time I thought he was kidding, but in the years since I first dove head first into this monumental  work, I realized that he was absolutely right. Not only did John Cage break up the life and death struggle between 12-tone music and neoclassicism, but also managed take over 2,000 years of human music and stand it on its head.
    
 The pieces on this disk—26’ 1.1499” for a String Player with 45’ for a Speaker and 26’ 1.1499”
for a String Player by itself—date from 1953-1954. Cage had in mind a large-scale work called Time, which was never completed and was to have included the works on this disk as well as other timed pieces for two pianos and percussion, all based on the number 10,000. By composing the work through i-Ching chance operations, restricting tempo interpretations through the use of a stopwatch and very specific graphic notation, Cage managed to remove the will of both the composer and the performer, putting the burden of interpretation and the search for meaning on the listener. Cage intentionally makes both works impossible to accurately perform so that each performance’s mistakes create a unique experience, and the performers’ struggles create the works’ tension.
 
 Although more than a half-century has passed since the initial performances of these works, the music of 26’ 1.1499” for a String Player is still quite radical, and the philosophy of 45’ for a Speaker is as relevant today as it was in 1954. It is my hope that this recording will inspire others to actively seek out the music of John Cage and to embrace his thoughts on music and the world at large.
   
26' 1.1499" for a String Player.  26' 1.1499" for a String Player was recorded by Charlotte Moorman and Bertram Turetzky (both Americans) in the 60's. It is a work with a very limited recording history.

Tom Peters


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Scheduled Shows at Live 365.com


Radio Molecule's weekly featured show at Live 365.com.  Shows are rotaded every month or so.  In this section you will find information and details on the artist's work and playlists.


The Empty Room      -    Updated Demeber 17, 2008.  

                                               Monday, from 7-8 am mountain time
                                               Tuesday, from 7-8 pm mountain time
                                               Wednesday, from 2-3 pm mountain time
                                               
Thrusday, from 8:30-9:30 am mountain time
                                               Friday, from 12-1 pm mountain time
                                               Saturday, from 3-4 am, mountain time
                                               Sunday, from 11-12 am mountain time

Featuring works from the Santa Fe New Music 2008-09 Season:

Sun.

Mon.

Tue.

Wed.

Thur.

Fri.

Sat.

 Radio Molecule (edit)
New Music from the 20th & 21st centuries. Rotated selections.
(Default program playing in rotation when there are no other scheduled events)

 

11:00 AM
12:00 PM

The Empty Room-Sunday
SANTA FE NEW MUSIC 2008-09 SEASON---Featuring John Kennedy and Phillip Binstein Interviews; works by David Lang, Stephen Drury, Phil Kline, Ricky Ian Gordon. For more information: www.sfnm.org
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7:00 AM
8:00 AM

The Empty Room-Monday
SANTA FE NEW MUSIC 2008-09 SEASON---Featuring John Kennedy and Phillip Binstein Interview; works by David Lang, Stephen Drury, Phil Kline, Ricky Ian Gordon. For more information: www.sfnm.org
(edit)(delete)

 

 

7:00 PM
8:00 PM

The Empty Room
SANTA FE NEW MUSIC 2008-09 SEASON---Featuring John Kennedy and Phillip Binstein Interviews; works by David Lang, Stephen Drury, Phil Kline, Ricky Ian Gordon. For more information: www.sfnm.org
(edit)(delete)

 

 

2:00 PM
3:00 PM

The Empty Room-Wednesday
SANTA FE NEW MUSIC 2008-09 SEASON---Featuring John Kennedy and Phillip Binstein Interviews; works by David Lang, Stephen Drury, Phil Kline, Ricky Ian Gordon. For more information: www.sfnm.org
(edit)(delete)

 

 

8:30 AM
9:30 AM

The Empty Room-am
THE SANTA FE NEW MUSIC 2008-09 SEASON---Featuring John Kennedy and Phillip Binstein Interviews; works by David Lang, Stephen Drury, Phil Kline, Ricky Ian Gordon. For more information: www.sfnm.org
(edit)(delete)

 

 

12:00 PM
1:00 PM

The Empty Room-Friday
SANTA FE NEW MUSIC 2008-09 SEASON---Featuring John Kennedy and Phillip Binstein Interviews; works by David Lang, Stephen Drury, Phil Kline, Ricky Ian Gordon. For more information: www.sfnm.org
(edit)(delete)

 

 

3:00 AM
4:00 AM

The Empty Room-Saturday
SANTA FE NEW MUSIC 2008-09 SEASON---Featuring John Kennedy and Phillip Binstein Interviews; works by David Lang, Stephen Drury, Phil Kline, Ricky Ian Gordon. For more information: www.sfnm.org
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*    John Kennedy Interview, Santa Fe Radio Cafe - KSFR, Oct. 15, 2008, by Mary Charlotte Domandi.   On the lecture series: Beyond The Noise: Listening To The Twentieth Century - Santa Fe New Music Season 2008-09

*    Short Fall - Third Movement, from Child, by David Lang.   
David Lang's work was perfomed in Santa Fe, NM, Oct 18, 2008, as part of the Santa Fe New Music 2008-09 Season

*    Act 1, Prologue from Orpheus and Euridice, chamber drama by Ricky Ian Gordon, with soprano Gina Browning, pianist Joseph Illick, and clarinetist Jonathan Jones.  This work was performed on Nov. 2, 08 in Santa Fe, NM, as part of the Santa Fe New Music 2008-09 Season

*     Phillip Bimstein Interview, Santa Fe Radio Cafe - KSFR, Oct 18, 2008. by Mary Charlotte Domandi.  Phillip Bimstein's works  Cats in the Kitchen (2007) For Flute and Oboe plus the Kitchen Sync; Half Moon at Checkerboard Mesa (1997) Fantasy for Violin, Frogs, Crickets, and Coyotes; and Garland Hirschi's Cows (1992) were performed at the Season's Opening David Lang and the Post Classicals

*    Naturali Periclitati - Lyric Spiral, performed by Marthane Verbit and from her new CD Endangered, Nov. 16, 2008 in santa Fe, NM.   Composed by John Kennedy, the piece honors nature and bearing witness to our fragile environment.  Santa Fe New Music 2008-09 Season

*    Bacchanale (1938), by Stephen Drury,  from In a Landscape: Piano Music of John Cage.  Stephen Drury performed in Santa Fe, NM, Dec 11, 2008, as part of the Santa Fe New Music 2008-09 Season.

*    Unsilent Night, by Phil Kline, international outdoor ambient audience-participatory piece for an infinite number of boomboxes and community performers.  Unsilent Night, was performed in Santa Fe Dec. 14, 08, as part of the Santa Fe New Music 2008 Season.

*    In Flight, by Michael Harrison, from Harrison: In Flight, Piano Solos.  Michael Harrison, will be perfomring in Santa Fe, NM on March 13, 2009, as part of the Santa Fe New Music 2008-09 Season.




For more information on any Santa Fe New Music 2008-09 Season events: www.sfnm.org/




 

 

 

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